Bidford-on-Avon, Warwickshire. Mon to Fri.01789 224228

Tooling meant to be replaced

Prototype and bridge tooling.

A tool built to prove your part, not run it forever. It's cheap enough to throw away, yet real enough to make parts you can put in front of a customer. Every production programme we've seen would have been cheaper if it had started here.

SoftDeliberately disposable
Real partsIn the real material
BridgeUntil the hard tool lands
2019Established

Why bother

The details you cannot see on a screen.

Illustrative example: Prototype moulded parts being checked for parting line, stiffness and rib show-through
Physical prototypes reveal issues a screen can miss

A model on a screen is always the right size, always releases, never traps air and never feels wrong in the hand. A moulded part in the real grade does all the things the model cannot show you, before you've spent money on hardened steel.

Some details only show up in the physical part, and there are usually more of them than people expect. You can see how the parting line looks on the face that will be visible. You can find out whether a rib telegraphs through to the outside, or whether a wall that seemed fine becomes floppy in the actual grade. You also discover whether the operator can remove it from the mould without swearing, and whether the fit you calculated is a fit or an interference.

Then there are the details your customer notices, even when you don't: grip, weight, how the surface takes a fingerprint, and whether the moulded logo reads at arm's length. You cannot sign off any of these from a rendering. They are all inexpensive to change now, but costly to change later.

A prototype tool also gives you an honest test of a design for manufacture review. If we told you a feature would fight the mould, this is where you can find out whether we were right.

The five moulding routes

Bridge tooling

Selling before your production tool exists.

Bridge tooling uses the same idea for a different purpose. While your production tool is being made, it gives you the parts you need in the meantime: for a launch, a trade show, a customer trial or the first orders you've already taken.

A bridge run gives you two useful advantages. You have parts in hand, made from the real material, while the hard tool is being made. It also gives you a final chance to catch a design problem before the expensive tool is committed. More than one programme has been quietly rescued when a bridge run revealed an issue at part fifty.

The trade-off is straightforward. Bridge parts cost more per part than production parts because you are paying for labour rather than amortised tooling costs. The finish may also differ slightly from what a hard tool will produce. If the parts are going to a customer, agree what is acceptable before they are shipped.

When the bridge quantity turns out to be your full requirement, it is no longer a bridge. It becomes low-volume production. This happens often enough to make it worth asking whether you need the hard tool at all.

Low-volume production

Illustrative example: A soft bridge tool in use on the bench with a small batch of moulded parts accumulating beside it

How to do it properly

Start with a tool that is meant to be replaced.

Four rules for keeping a prototype affordable and making every lesson count.

01

Do not over-build it

For a prototype, a tool engineered to last can mean paying now for a lifespan you do not need. Build it to make enough parts to learn from, then accept that it will be scrapped.

02

Use the real grade

Test your design in the same material as the production part. A prototype made from a convenient substitute can answer the wrong question, particularly when it comes to hardness, feel and heat behaviour.

03

Keep the master

The tool is disposable, but the master pattern is not. Every revision should update the master pattern, so the geometry you approve is the geometry used to cut the production tool.

04

Please note what you changed.

Revisions made at the prototype stage are the cheapest engineering you will ever buy. They are worthless, though, if nobody records them before the hard tool is ordered.

Convert to a hard tool

Illustrative example: Short-run prototype mould, retained master and small batch of test castings
Prototype tooling built to learn, not to last

At a glance

The ideas in pictures.

Which route suits your quantity

PrototypesHundredsThousandsTens of thousandsHand-made mouldsCast silicone mouldsVacuum-cast mouldsCompression toolingInjection and LSR tooling

Swipe to see the whole diagram

A general picture. Shape, material and detail also decide the route, and we talk it through with you.

From idea to finished mould

  1. 01Photo or sampleShow us what you want to cast
  2. 02Drawing agreedWe agree the shape and split
  3. 03Master madeMachined, printed or sculpted
  4. 04Proof pourA first mould to test
  5. 05Full mouldMade once you are happy
  6. 06Kept on fileFor easy reorders

Swipe to see the whole diagram

Every mould follows the same simple route, so you always know what happens next.

Ready to start?

Tell us what you need to make, and we'll tell you how to mould it.

Send us a drawing, photograph or sample. We'll come back with a mould strategy, a material recommendation and a price.

Real people, a real workshop

You deal with the people who make it.

No call centre and no middlemen. When you contact TCI Mouldings, you speak to the team who design, build and check your mould.

  • A real Warwickshire workshopUnit 15, Waterloo Park, Bidford-on-Avon, Alcester B50 4JG.
  • Real people on the phoneCall the team on 01789 224228, Monday to Friday.
  • The same team on every jobDesign, production and aftercare come from the people you see here.
  • Part of TCI GroupFive specialist brands, one engineering team. Visit TCI Group.
The TCI design and project office.
The TCI design and project office.
A stack of TCI silicone moulds.
A stack of TCI silicone moulds.
The TCI workshop, with moulds on the bench mid-build.
The TCI workshop, with moulds on the bench mid-build.
  • Thomas LaneManaging Director
  • George PrestonDesign & Project Manager
  • Kelly BallingerHead of Partnerships
  • Jim AndertonProduction Manager
  • TheodoreEmployee Welfare
Meet the team